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If you like Canvas, you may also like:
Belief In The Machine
by Rick Miller
supported by 7 fans who also own “Johnny Don't Know”
At last and after a too long time on my wishlist this album has finally been bought ;-) Clearly recommended to friends of classic Pink Floyd (rather think Wish You Were Here than The Wall or in other words rather think Gilmour/Wright than Waters).
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supported by 7 fans who also own “Johnny Don't Know”
Masterpiece of Crossover prog. It blends perfectly Chamber pop, Folk Rock, Neoclassical music and Progressive Rock. A flawless record
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Execute and Breathe
by Elephants of Scotland
supported by 7 fans who also own “Johnny Don't Know”
This US-American band, which owes its contradictory name to a photomontage created by George Logan, is usually compared to "Rush"... well, no, I don't agree... While there are undoubtedly some typical "Rush" chords and sounds, I think the music has much more in common with 80's neo-prog bands like IQ. And just like the latter, those imaginary Scottish elephants don't lose much time with silly riffs and interludes, but get straight to the point in their songs, with much attention to detail.
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Sustained by seismic psych riffs, proggy shifts, and vivid sci-fi storytelling, these Milwaukee cosmonauts command respect.
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The Long Island metal band's third album etches arena-sized hooks into their jagged compositions, deftly balancing experimental and poppy inclinations.
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Titan Agronomist Project Volume 2 - A Juggernaut that Cannot Be Stopped
by Randy M. Salo
Marauding symphonic metal that pairs stampeding riffs with castle-size organ and tremendous blasts of brass.
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supported by 7 fans who also own “Johnny Don't Know”
The album takes off nicely with David Longdon's "The Strangest Times", but then gets into immediate free fall and deeply underwater for the next few tracks, quite unexpectedly. Fortunately, it recovers with Nick D'Virgilio's "Apollo" (hey, this guy CAN write good music, although he hides this ability most of the time) and the remaining three tracks, one of which is another Longdon masterpiece. So in the end the final impression is somewhat in the positive range.
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